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proDIGA. Sorgente di sogni

Opera

proDIGA. Sorgente di sogni

Location

Sentierino

Client

Soqquadro

Designer

Diego Armellini - Giuseppe Lorenzi

proDIGA. Sorgente di sogni

proDIGA is conceived as a message of hope, drawing on the inner strength that each of us must be able to feel to reach new levels of awareness, maturity, and human solidarity, breaking through the barriers and obstacles that life often presents. With a sense of responsibility and courage, we are called to harness difficulties, turning them into a source of strength that sparks change and helps us imagine a better world....

Soqquadro

The name evokes a gentle upheaval—pure creativity. Soqquadro is more than just a design studio: founders Elena and Diego shape spaces, infusing them with the essence of those who inhabit them. It is a breath of contemporary design that embraces sustainability and dances with art, creating unique environments. At Soqquadro, boundaries blur, and local influences merge with innovation in a continuous dialogue between ancient and modern, between reclaimed materials and new decorative techniques.

Diego Armellini

Diego Armellini is a creative who trained as an educator before becoming an entrepreneur. After studying Education Sciences in 2007, he turned his passion for creativity into a profession. Together with his partner Elena Gamberoni, he founded Soqquadro, a design studio focused on shaping and designing spaces using sustainable materials and contemporary design. His work involves experimenting with techniques and materials to create innovative solutions for Soqquadro’s clients. Armellini participates in both local and international art events and is committed to ongoing professional development. Eclectic and visionary, he enjoys collaborating with other artists, such as Giuseppe Lorenzi, to develop new projects.

Giuseppe Lorenzi

Giuseppe Lorenzi is an artist who establishes a profound symbiosis with the earth, exploring and testing the resilience of clay. His art goes beyond the material itself, capturing emotion. The cracks and textures on the glaze of his Raku ceramics testify to the intense interaction between artist and medium—a mutual seduction crystallized in a single moment. Lorenzi favors the Raku technique for its unpredictability. Fire and smoke, untamable forces, interact with the oxides used for decoration, producing chromatic variations over time and often surprising results. The intervention of uncontrollable events generates outcomes that can exceed expectations, reflecting Lorenzi’s artistic philosophy: an art poised between control and surrender.

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